This project proposes a spatial device that repositions heritage from object to presence. Inspired by Lina Bo Bardi’s display strategies, a floor-mounted structure creates the illusion of a floating artwork, reducing the perception of weight and emphasizing symbolic centrality. By placing Dom Bosco at the core of the exhibition, the design establishes a narrative axis where space, memory, and meaning converge. The intervention transforms perception, inviting visitors to experience heritage as a living and relational construct.
