Designers adopted the gestalt geometry strategy as a positive means to deal with the contrast between artificial and natural. The continuous undulating roof of the circular tourism distribution center is not only a strange tribute to the Ma'anshan wall, which is common in the residential areas of eastern Fujian, but also a kind of freehand village image integrated among the six scattered monomers. The square cultural activity center adopts a completely opposite strategy, and adopts a number of small blocks interleaved and combined under a unified roof.
